Adaptation of Giordano Bruno's Song of Circe
Through this work, physically, theater expresses this work through liminal, stage and backstage borderline actions and appearances and through its meanings develops a direction towards the use of the space of thinking and sensitive imagination left behind by the digital, materialistic or technocratic society, what we call the iconography of mythologeme and intangible material. Critic Charles Green refers to such a platform for contemporary art in his own terms: "phantom limb" and telepathic "third hand." An attempt at a given work is to act on the basis of intangible, delicate material such as noetics, telepathy, and the context of mythologeme. "Medea Meditations for Improbable Performance" was first developed 10 years ago at a workshop at the Tbilisi Academy of Fine Arts.